Max Ernst was a German painter, sculptor, graphic artist, and poet. A prolific artist, Ernst was a primary pioneer of the Dada movement and Surrealism. Max Ernst was born in Brühl, near Cologne. His father was an amateur painter and inspired in Max a penchant for defying authority, while his interest in painting and sketching in nature influenced Max to take up painting himself.
In 1909 Ernst enrolled in the University of Bonn, studying philosophy, art history, literature, psychology and psychiatry. He visited asylums and became fascinated with the art of the mentally ill patients; he also started painting that year. In 1911 Ernst befriended August Macke and joined his Die Rheinischen Expressionisten group of artists, deciding to become an artist. In 1912 he visited the Sonderbund exhibition in Cologne, where works by Pablo Picasso and post-Impressionists such as Vincent van Gogh and Paul Gauguin profoundly influenced his approach to art. His own work was exhibited the same year together with that of the Das Junge Rheinland group and then in several group exhibitions in 1913.
In 1914 Ernst met Hans Arp in Cologne. The two soon became friends and their relationship lasted for fifty years. After Ernst completed his studies in the summer, his life was interrupted by World War I. Ernst was drafted and served both on the Western and the Eastern front. Such was the devastating effect of the war, he referred to his time in the army thus: "On the first of August 1914 M[ax].E[rnst]. died. He was resurrected on the eleventh of November 1918."
Ernst was demobilized in 1918 and returned to Cologne. He soon married art history student Luise Straus, whom he met in 1914. In 1919, Ernst visited Paul Klee in Munich and studied paintings by Giorgio de Chirico, which deeply impressed him. The same year, he produced his first collages (notably Fiat modes, a portfolio of lithographs), a technique which would come to dominate his artistic pursuits in the years to come. Also in 1919 Ernst, social activist Johannes Theodor Baargeld, and several colleagues founded the Cologne Dada group. In 1919–20 Ernst and Baargeld published various short-lived magazines and organized Dada exhibitions.
Ernst's marriage to Luise was short-lived. In 1921 he met Paul Éluard, who became a close lifelong friend. A year later the two collaborated on Les malheurs des immortels, and then, with André Breton on the magazine Litterature. In 1922, unable to secure the necessary papers, Ernst entered France illegally and settled into a ménage à trois with Éluard and his wife Gala. During his first two years in Paris, Ernst took various odd jobs to make a living and continued to paint. Later, the trio decided that Gala would remain with Paul. In 1923 his works were exhibited at Salon des Indépendants.
In late 1924, Ernst signed a contract with Jacques Viot that allowed him to paint full-time. Constantly experimenting, in 1925 Ernst invented a graphic art technique called frottage, which uses pencil rubbings of objects as a source of images. He also created the 'grattage' technique, in which paint is scraped across canvas to reveal the imprints of the objects placed beneath. The next year he collaborated with Joan Miró on designs for Sergei Diaghilev. With Miró 's help, Ernst pioneered grattage in which he troweled pigment from his canvases. He also explored with the technique of decalcomania which involves pressing paint between two surfaces. Ernst developed a fascination with birds that was prevalent in his work. His alter ego in paintings, which he called Loplop, was a bird. He suggested that this alter-ego was an extension of himself stemming from an early confusion of birds and humans.
In 1927 Ernst married Marie-Berthe Aurenche, and it is thought his relationship with her may have inspired the erotic subject matter of The Kiss and other works of that year. Ernst appeared in the 1930 film L'Âge d'Or, directed by self-identifying Surrealist Luis Buñuel. Ernst began to make sculpture in 1934, and spent time with Alberto Giacometti. In 1938, the American heiress and artistic patron Peggy Guggenheim acquired a number of Max Ernst's works which she displayed in her new museum in London.
In September 1939, the outbreak of World War II caused Ernst to be interned as an "undesirable foreigner" in Camp des Milles, near Aix-en-Provence, along with fellow surrealist, Hans Bellmer. Thanks to the intercession of Paul Éluard and other friends, he was released a few weeks later. Soon after the Nazi occupation of France, he was arrested again, this time by the Gestapo, but managed to escape and flee to America with the help of Guggenheim and Fry. He left behind his lover, Leonora Carrington, and she suffered a major mental breakdown. Ernst and Guggenheim arrived in the United States in 1941 and were married the following year. Along with other artists and friends (Marcel Duchamp and Marc Chagall ) who had fled from the war and lived in New York City, Ernst helped inspire the development of Abstract expressionism.
His marriage to Guggenheim did not last, and in October 1946, in a double ceremony with Man Ray and Juliet P. Browner, he married Dorothea Tanning. In 1948 Ernst wrote the treatise Beyond Painting. As a result of the publicity, he began to achieve financial success. In 1953 he and Tanning moved to a small town in the south of France where he continued to work. The City, and the Galeries Nationales du Grand-Palais in Paris published a complete catalogue of his works. In 1966 he created a chess set made of glass which he named "Immortel"; it has been described by the poet André Verdet as "a masterpiece of bewitching magic, worthy of a Maya palace or the residence of a Pharaon". At the age of 84 Ernst died, he was interred at Père Lachaise Cemetery.
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