César was a noted French sculptor, he was at the forefront of the Nouveau Réalisme movement with his radical compressions (compacted automobiles, discarded metal, or rubbish), expansions (polyurethane foam sculptures), and fantastic representations of animals and insects.
His early work used soldered and welded metal as well as junk materials, and by 1960 César was considered one of France's leading sculptors. It was for these 'Compressions' that César became renowned. César selected particular cars for crushing, mixing elements from differently coloured vehicles. In this way he could control the surface pattern and colour scheme of the piece.
In 1965, he started to work with plastics, first with plastic moulds of human imprints, then from 1966 by pouring expanded polyurethane, which was allowed to expand and solidify. He gave up making welded-metal sculpture in 1966 and organised a series of Happenings from 1967-1970, in which he produced expansions in the presence of an audience. His later works also included sculptures made out of molten crystal.
He is the creator of the César du cinéma trophy, which is awarded to the best in French cinema.
More about this artist soon on this page.
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