Visions of Paradise: Botticini's Palmieri Altarpiece

Trafalgar Square, London, WC2N 5DN
Admission: Free 
THIS EXHIBITION IS NO LONGER OPEN - it ended on 28/03/2016
Free Entry
 
Opening Times
Monday: 1000 - 1800
Tuesday: 1000 - 1800
Wednesday: 1000 - 1800
Thursday: 1000 - 1800
Friday: 1000 - 2100
Saturday: 1000 - 1800
Sunday: 1000 - 1800
Closed 1 January and 24-26 December.
Click a star to rate
Rating : be the first to rate this!

Thank you for your review - it might not appear on the site right away as we check all reviews for naughty words, but you should see it if you check back in a couple of days.

We really appreciate you writing reviews, it helps all the members of A Drop of Art to connect with the art they love the most!

Your Review

Pictures / Tags
Map / Location
Map / Location

Italian artist Francesco Botticini has created a painting that has bewildered scholars for centuries. New research were done on his Assumption of the Virgin in order to clarify long-perpetuated misunderstandings about its authorship, date, original location, and iconography.

The altarpiece, installed in the church of San Pier Maggiore in Florence in 1477, was commissioned by Matteo Palmieri (1406–1475) before his death, and he is portrayed kneeling at the lower left of the painting with his wife, Niccolosa de’ Serragli, at the right.

This exhibition explores the fascinating life of Palmieri, a true Renaissance man who trained in his native Florence as an apothecary, studied philosophy and rhetoric with the leading humanist scholars of the period, wrote histories, biographies and poetry, held top positions in the Florentine government, and developed close friendships with the Medici rulers of Florence.

Palmieri reportedly advised Botticini on the design of this painting, which incorporates a panoramic landscape of Florence in the lower register and an extraordinary dome of Heaven, populated with saints and angels, in the upper.

‘Visions of Paradise’ provides the rare opportunity to view the painting up close, and it will be shown alongside related paintings, drawings, prints, manuscripts, ceramics, and sculpture for the first time.

Crucially, the exhibition addresses centuries of debate surrounding the painting’s misattribution to Sandro Botticelli (a contemporary of Botticini’s), its relationship to Palmieri’s poem ‘Città di Vita’ (City of Life) based on Dante’s ‘Divine Comedy’, and its condemnation for heresy.

© National Gallery modified by A drop of art